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Even though, that is probably the way 99% of them really were, it would have been more interesting to get a differentiated view on some of them.
Ruthless, cruel, craven and at the same time stupid pigs who do everything to humiliate the Jews at any time.
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The Nazis - and that's the only weakness of Stefan Ruzowitzky's movie - are the way they always are. Who thought that the guy who came to greater popularity by starring in "Kommissar Rex" would end up getting roles like this one and playing them to perfection? August Diehl is good, too, but he comes across as a bit too dramatic at times. Karl Markovics is the shining light of the cast. "Die Fälscher" is a well-made and touching movie about the Holocaust and a special division of Jews in a concentration camp that survived by counterfeiting money (or pretending to do so) for the Nazis.
This is the rare - and by that I REALLY mean rare! - case of an Austrian movie being able to bear comparison with international competition. Its interesting exploration of adaptation and survival under extreme circumstances makes for an engaging story, and one that is definitely worth seeking out. The Counterfeiters is a very enjoyable film, which isn't something that can be said for many World War II "true stories". There is also a surprising amount of humour while the bigger picture is indeed bleak, there are moments of comedy, and even if it is laughter in the dark, it is welcome and helps not only to carry the film along but humanise it and its characters. The contrast between the music and the images adeptly complement the film's complicated moral tone. The camera-work captures the bleak setting effectively, and the lead performances are uniformly excellent, but the use of tango for the score is inspired. It's a very interesting idea, and it's one that is presented very well, both in terms of style and performance. These moral dilemmas form the basis of the film, and in the face of the horrors of camp life, Sally tries to shrug them off with De Niro squints and smiles the maxim that one must look after oneself is one repeated throughout the film. Neither can he reconcile himself with the fact that while he lives in relative comfort other detainees, including his wife and children, live in squalor. Unlike Sally, he sees the bigger picture, struggling to come to terms with the fact that while his work keeps him alive, it helps the Nazi war effort. This is where Burger (Diehl), the film's moral centre, comes into play. The price of failure is made clear, but the counterfeiters are also wary of the price of success, as once the currencies have been cracked, they will be surplus to requirements their lives depend not only on their successes but also their failures.
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Here, Sally is provided with all the men and equipment he needs to crack the pound and the dollar his criminal enterprises are now government funded. After taking advantage of his talents, his superiors transfer him to Sachsenhausen, where he is to oversee the largest counterfeiting operation in history. He witnesses the horrors of camp life fellow prisoners are beaten, shot, and starved, but Sally, determined to survive, looks out for himself and uses his skills as an artist to secure a more comfortable lifestyle during his incarceration. Salomon "Sally" Sorowitsch (Markovics) is a master counterfeiter, living a life of debauchery in pre-war Berlin, until his luck finally runs out, and he is captured and shipped out to the Mauthausen concentration camp.
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